let's carve the mountain

The ship becomes part of the border, but whilst being anchored it claims a new territory. When the ship sinks - the theatre of the absurd escapes the room of the ship out to the landscape.

The limit is exercised in both ways:

1. Vertical: The ship is stabilized with grid slab which divides the ship on the waterline. Natural and artificial is divided - first top of the ship becomes a spectacle - with it's interior and furnishings preserved and consumed as object of tourism. Bottom half makes use of watertight bulkheads to turn parts of the ship hull as a reservoir that collects water and pump it to the man-made landscape.

2. Horizontal: Stretched on grid slab is a colony of artificial waterscape. Fake beaches, swimming pool, onsen, down to dipping pool before the slab turns into descend into steps to access the relic.