thick drawing
On Tuesday Alex and I discussed how to integrate the cruise director's room to the thick drawing. We both agreed that it should look less 'ship'-y and focus on the layers of events and manipulated space within the ship and their parallels in the city, if there's any.
I showed him reference from Diller & Scofidio which is looking more like a model but describes well this idea that the form (curved house replaced by the ship form) can remain generic or static, and when punctured in sections we start to see the ship's split worlds and hierarchical spaces.
What Alex suggested is as the drawing it might be useful to have it as conceptual plans, where the cruise director's office becomes the one drawing that can move around and be plugged in to different space/border/territory (like when the ship sails, or dock, or pass through).
At the moment i'm still working on the ship triptych - still floating in rhino world now, needs to be rendered soon.
I showed him reference from Diller & Scofidio which is looking more like a model but describes well this idea that the form (curved house replaced by the ship form) can remain generic or static, and when punctured in sections we start to see the ship's split worlds and hierarchical spaces.
What Alex suggested is as the drawing it might be useful to have it as conceptual plans, where the cruise director's office becomes the one drawing that can move around and be plugged in to different space/border/territory (like when the ship sails, or dock, or pass through).
At the moment i'm still working on the ship triptych - still floating in rhino world now, needs to be rendered soon.
