post-jury

I'm trying to stitch together all the feedback from the jury - they to be wrapped in one single argument but for now they're still floating pieces of ideas. Some update:

1. I am officially without Adobe. Help!

2. Have been looking into 'Exquisite Corpse' as mentioned by Stefano. It is basically a collage technique used by surrealist and dada, supposedly fragments are constructed separately by each individual, and then combined together as one single work. This one below is by Breton and 3 other people. I intend to still take on board the stitched map of the 'ship's universe' as my thick drawing - but need to figure out the purpose of the drawing more precisely.

3. Trying to edit the map without photoshop so excuse the colour - below are the drawings i showed on the table that talks about the curation or border and territories. Drawing may zoom in and out and even cross between the interior of the ship out to the landscape/city/fictional site.

It's too abstract I know but trying to sketch some other ideas...

4. Yes, the sinking ship is ON BOARD. I still have the problem with constructing the narrative  , as in, how much of the project is about the ship on its heyday - and how much about its aftermath. 

I'm thinking that the cruise director's room should still be the key space. How the room is designed, and its relationship to the whole ship's entity - will be revealed when the ship starts to sink.

Some ideas for TS: what if the cruise director's room is designed to anticipate the tragic fate! Perhaps when the ship tilts it behaves like a pendulum, forever trying to maintain equilibrium .... but for what purpose???! Just thinking out loud.

Familiarizing myself with the ship (which btw, in cruise industry, it's only a mid-range sized!)

Some awesome pictures of interior of the ship before and after:

I find the horizontal/vertical transformation very intriguing as spatial experience.