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-balconies --> the permanent room
-posters --> the transient room
-piazza (space in front of it) ---> transient? (wall gets thicker, piazza gets smaller)
-the ground / floor (collector of unsuccessful propaganda)
posters as balconies
the posters in 3d, as a cage/box, with the person inside shouting out the propaganda --> a living propaganda wall with living speakers.
- if the balconies speaker do not agree with each other, they start destroying each others' balconies until they fall --> overlap of posters get cancelled out.
- The destroyed balconies/propaganda fell and form the floor/ stairs (i.e. separation between the wall and the mass)
- however, if they do agree with each other, the balconies both get stronger through each others' support and might merge into a bigger balcony
- Transient : the ground surface and the balconies on the surface
- Permanent : the balconies that are buried by other propaganda balconies
- the ground -> accumulating destroyed propaganda, a constantly changing landscape.
comments from the review
- mimmo rotella
- an opportunity to talk about the messages
- banksy --> counter messages
- posters --> only there for a moment
- to be more specific what I'm interested in, is it not politics? if not, what?
- what is the nature of the actual object
- overlap --> erasure
- building function as propaganda
- connection between balconies and posters
- mediator
- more of a mechanism, not a wall --> logic of the system
- transient vs a more stable mechanism
- the piazza in the front --> the space
- a thick surface
- the distance to the wall --> remove
- take position about the form of the wall
- media communication
- the barrier rather than the wall
- the message would change depending on perspective
ideas
poster collage.
overlap of posters:
thickness of the wall would be defined by the components, when components works with each other the wall gets thicker; when they don't the wall gets thinner.
The mechanism / The components of the wall:
-balconies --> the permanent room
-posters --> the transient room
-piazza (space in front of it) ---> transient? (wall gets thicker, piazza gets smaller)
posters as balconies
the posters in 3d, as a cage/box, with the person inside shouting out the propaganda --> a living propaganda wall with living speakers.
if the balconies speaker do not agree with each other, they start destroying each others' balconies until they fall --> overlap of posters get cancelled out
however, if they do agree with each other, the balconies both get stronger through each others' support and might merge into a bigger balcony.
to empower the people
-each person is given their own balcony, so that they will feel empowered
-since everyone has a balcony, the value of the balconies becomes worthless.
and still thinking... still composing the argument.





The Room
the room under control
Being surrounded by the propaganda, since we didn't manage to escape before being enclosed by the propaganda wall are trapped inside. The wall is so tall, we can hardly see its top, we can hear voices coming out from the wall, and it is constantly changing. The giant images and messages on the wall makes our eyes dizzy, but there is no escape from seeing them, they are everywhere, we feel like we are being watched.
The constant growing of the propaganda wall means that there will eventually be no space for us. To find a way out, we must start digging into the wall to the other side of the world where there will be freedom.
Actions taken place in different part of the wall. When we manage to dig through to the other side of the wall, the other people from the other side of the wall were trying doing the same thing!
Those like us who would not give up keep trying to dig through the wall at different place, there must be a way out!
Finally! We see concrete beneath the propaganda posters! It is a concrete frame. There is space for us, the concrete frame hollow out a chunk of the propaganda wall, all the way up to the top.
the room that is in control
Occupying the facade of Case del Fascio, we realised that there will never be enough space for all the people in the room, we have to keep this space out of other people's reach, remain it as a secret room. As days go by, we started to occupy the upper floors, making ladders to reach the higher levels.
Some how we started to dig into the wall again, branching out from one of the balcony openings of the facade, we built a walkway leading up to an opening toward 'the room', where we used to be before we found this secret room. We made sure we would dig out such an angle that people can't see the opening from the ground.
Up there, we can produce our very own propaganda, promote our ideas to people in the room. due to the height, our voice now can be heard, our propaganda can be seen.


type 1) room surrounded by the propaganda wall
suffocating
being controlled
being watched
type 2) room within the propaganda wall
escaped from being watched
a part of the wall / uniform
but not being controlled by it
*the wall is also the 'uniform' which place a heavy influence on what it is surrounded.
the idea of the uniform is that:
a) it is part of a larger organisation
b) the appearance being more important than the substance

the collective of rooms. the repeated room form by the propaganda wall also shows the concept of the wall being the uniform.
It shows more clearly the rooms within the wall.
- it is only when the propaganda wall is thick enough that rooms can be formed within it.
- the thicker the wall is, the bigger the rooms can be




