Baroque Ornament as Texture
With the light creases generally determined, the next thing is to design the actual panels. I've been looking at a bunch of books and images from the beginning of the year, and I keep coming back to baroque ornament. The first image is showing a tension cable mesh, the second, trying to determine a possible language of ornamentation for the sides of the panel, which would draw the eye up to the story points. The third image is showing how a light crease can be introduced and the light emanating from behind a heavily ornamented portion. Possibly most of the high points great treated similarly with extreme ornamentation which spreads out.
:o I was sure we were on 2009!
if you want to have a ornament/decoration, then you should set up a clear strategy of which forms and effects you want and where and then developed a form. It toke you time to get the space/structure right, it is going to take you time to developed those intricated details. sketch and think before model in Rhino. Do few trials (not as randoms lines but think which detailed form will improve your design and space), blog them so we can comment.