intresting developments.
in terms of the plan - what are the spots - i think they're pink?
what are the turquose lines? seem at odds with the rest of the surfaces.
you'll have to describe with a series of drawings, renders or digi/physical models how you are articulating the veins - indicate the degree of curvature, depth and rotation and what it does for you spatially, programmatically, and how it shapes the light effects. it currently looks as thought they're sandwiched between thin partitions rather than occupying the wall thickness.
Lastly, don't render the wall thickness with gray tone, but rather draw the wall-innards. what is the material thickness, what is the supporting structure. What is cladding, what is artificial light modification (your ribs) and how do they differ from the main wall, etc.
ok - all for now! ceiling plan looks interesting (but avoid the tendency to view it with X-RAY vision!). Draw it more accurately and use lineweights/linetypes to define what is in front or behind other layers.
The programmatic bulges appear as though they're added as an afterthought - i thought these were going to be embedded in the thickness of the walls?
Naiara Vegara said:
hola, the spots is the sitting (randomly placed) I thought I didnt want fix sitting but more freedom. The tuquose lines is the different material wall, its the alabaster wall so I can have the aura moment that I mentioned in the text above.
With the description in dwg, renders,,of the articulaiton of veins u mean as to have a series of "diagrams"-explanations of their charactristics which would be included in the whitebook but not in the plate??
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This page contains a single entry by Naiara Vegara published on March 8, 2008 4:39 PM.
hiya.
intresting developments.
in terms of the plan - what are the spots - i think they're pink?
what are the turquose lines? seem at odds with the rest of the surfaces.
you'll have to describe with a series of drawings, renders or digi/physical models how you are articulating the veins - indicate the degree of curvature, depth and rotation and what it does for you spatially, programmatically, and how it shapes the light effects. it currently looks as thought they're sandwiched between thin partitions rather than occupying the wall thickness.
Lastly, don't render the wall thickness with gray tone, but rather draw the wall-innards. what is the material thickness, what is the supporting structure. What is cladding, what is artificial light modification (your ribs) and how do they differ from the main wall, etc.
ok - all for now! ceiling plan looks interesting (but avoid the tendency to view it with X-RAY vision!). Draw it more accurately and use lineweights/linetypes to define what is in front or behind other layers.
The programmatic bulges appear as though they're added as an afterthought - i thought these were going to be embedded in the thickness of the walls?
hola, the spots is the sitting (randomly placed) I thought I didnt want fix sitting but more freedom. The tuquose lines is the different material wall, its the alabaster wall so I can have the aura moment that I mentioned in the text above.
With the description in dwg, renders,,of the articulaiton of veins u mean as to have a series of "diagrams"-explanations of their charactristics which would be included in the whitebook but not in the plate??