Archives
- 2008.06.18: the glamorous baptistry
- 2008.06.12: models models models!
- 2008.06.11: transforming programmatic profiles as plan, axonometric and section
- 2008.06.11: transforming planar inflection to 3d inflection
- 2008.06.11: inflecting programmatic planar profiles that define the body
- 2008.06.11: the path to glamour
- 2008.06.10: presentation intro
- 2008.06.03: profiling
- 2008.06.02: 3d profiles
- 2008.05.31: the fam
- 2008.05.28: sweep sweep
- 2008.05.25: eureka!
- 2008.05.22: plan view of profiles which define body
- 2008.05.19: transforming 2d inflection to 3d inflection using rotation and projection
- 2008.05.18: sex and the city: season 5, episode 2
- 2008.05.15: titles and structure for concept plate
- 2008.05.12: detail of concept plate
- 2008.05.08: classification of curvature
- 2008.05.05: repositioning...
- 2008.04.28: what is the relationship between fashion and architecture?
- 2008.04.28: what is glamour?
- 2008.04.27: skin and bones
- 2008.04.24: plaster wall is underway
- 2008.04.19: archi-fashion
- 2008.04.17: jigs for vacuum-forming
- 2008.04.16: fashion photogs qui j'aime
- 2008.04.08: fabric forming concrete
- 2008.04.05: fabric forming precedents
- 2008.04.02: cordek q & a
- 2008.03.30: how bernini created his marble drapery: defining the tools and the process
- 2008.03.30: casting precedents: artificial limbs
- 2008.03.30: whitebook: contents
- 2008.03.29: revisiting the hierarchy of glamour
- 2008.03.23: manifesta and musings mash-up a.k.a. project brief
- 2008.03.09: model of walls form in progress
- 2008.03.09: model of space in progress
- 2008.03.06: 19 of 22 plans
- 2008.03.03: plan: transforming from offset to increasingly intense varied curvatures
- 2008.02.28: plans below 1.5m above ground
- 2008.02.28: categories of jigs
- 2008.02.28: pattern of seams (edge condition) for modules of cast wall
- 2008.02.18: lump
- 2008.02.11: making a positive
- 2008.02.11: painting drawers
- 2008.02.11: milling more jigs
- 2008.02.10: casting negatives
- 2008.02.07: gettin' jiggy with it...
- 2008.02.07: makin' stuff
- 2008.02.02: how the eames' produced their shell structures
- 2008.01.28: no wave
- 2008.01.27: hierachy of patterns as defined by inflection points
- 2008.01.26: cache vs. math
- 2008.01.26: dearly departed...
- 2008.01.24: going to the chapel...
- 2008.01.19: quick section
- 2008.01.19: inflecting pleating
- 2008.01.18: transforming inflecting patterns: scaled maxi-axis
- 2008.01.18: transforming inflecting patterns: scaled mini-axis
- 2008.01.18: transforming inflecting patterns: all axis
- 2008.01.18: diagonal axis
- 2008.01.08: transforming inflecting patterns: maxi-axis
- 2008.01.08: transforming inflecting patterns: mini-axis
- 2008.01.08: inflected pattern shirring: maxi-lattice
- 2008.01.08: inflected pattern shirring: mini-lattice
- 2008.01.07: inflected pattern shirring: maxi-axis
- 2008.01.07: inflected pattern shirring: mini-axis
- 2008.01.07: inflected pattern shirring: ovals
- 2008.01.04: flouncing along an inflecting path: maxi axis
- 2008.01.03: defining and controlling the elements
- 2008.01.02: inflection: smooth point vs. singular point
- 2008.01.02: dissecting an oval
- 2008.01.01: stuck
- 2007.12.28: baroque use of the oval
- 2007.12.24: experimenting with casting flounces
- 2007.12.24: methods of creating spot volume
- 2007.12.24: contemporary approaches to the corset/petticoat paradigm which will be adapted to generate the form of the glamorous church
- 2007.12.24: structured garments which generate volume: corsets and petticoats
- 2007.12.21: form finding: developing the body upon which to tailor the fabric
- 2007.12.20: plan as petticoat
- 2007.11.27: the results are in
- 2007.11.26: casting pleated surfaces
- 2007.11.26: transforming pleating patterns
- 2007.11.25: technique
- 2007.11.22: plan transformed and projected along a spiral path
- 2007.11.22: transforming plan continued
- 2007.11.22: plan with added glamour
- 2007.11.22: transforming the plan
- 2007.11.22: cache's gospel
- 2007.11.16: keeping things one step ahead of THE fashion bible
- 2007.11.15: manifesta: church as covergirl
- 2007.11.15: voluminous drama: take one
- 2007.11.15: plan
- 2007.11.14: programming oval elements
- 2007.10.29: investigating concave and convex extrusions along an oval path to generate glam walls
- 2007.10.24: surveying the sacraments
- 2007.10.24: the glam curve
- 2007.10.20: the glam wall
- 2007.10.17: formal manifesta: glam space
- 2007.10.15: visible/invisible drawing
