May 2008 Archives

the fam

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sweep sweep

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My friend Simon helped me with a script for sweeping the curves. It doesn't sort out the edges so I will have to go back re-sweep but it does allow me to get a quick preview of what the model will look like. I have to re-project some of the curves because they are crashing into other curves in an undesirable way and I have to work out where I am going to thicken the curves so that they meet the layer above, creating both another (super-glam) inflection point and provide the structural support necessary for the model/building to stand (it also creates a hiearchy of inflection). I also have to make a suface for the floor level.



eureka!

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I have an announcement to make...I figured out how to get that perfect sweep over the profiles so that the joint remains smooth and the profile is always perpendicular to the curve! YAY! Sadly, its gonna take forever to do all of them :(



plan view of profiles which define body

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This is the final plan of the profiles that define the body of the Church.  Each color designates an aspect of the function of the space. The plan has been cut at approx. halfway up the volume and the profiles above that point have all been dotted in.





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sex and the city: season 5, episode 2

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The truth is, in these troubled times, the Catholic Church is like a desperate 36 year old single woman, willing to settle for anything that it can get.

-Carrie Bradshaw



titles and structure for concept plate

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detail of concept plate

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Here is a detail from the plate that describes the concept of the project. I really wanted to used ovals and inflecting curves to organize and make connections between the different ideas, but so far I have not been able to make it work. Will keep massaging this one...


classification of curvature

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repositioning...

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La Chiesa del Sacro Fascino seeks to bring back glamour, a persuasive device that was employed throughout the Church before the Reformation to emphasize the wealth, power, importance and otherworldliness of the institution. By recalling the function of glamour in pre-Reformation Churches, the glamorous church seeks to renew faith. 


Glamour in the Church was used during the Baroque period to dislocate people, by suspending the ordinary routine of their lives. Feudal peasants were tied to the land and were immersed in nature. For them, entry into the space of the Church allowed for the experience of opulence and supernatural beauty, which resulted in the consolidation of religious belief. The Enlightenment and Reformation saw a transformation of Church conventions in terms of glamour. The proliferation of the printed word and Biblical translation allowed individuals to access the word of God and encouraged personal interpretations of the Bible and the world around them. These factors coupled with the rise of capitalism and industrialization planted the seeds of modern individualism. The Enlightenment promoted secularization and championed a belief in science, thereby further contributing to the decline of religious faith and the rise of the state. Contemporary capitalism has emphasized the individual and eroded social ties including those that bind religious communities. The power of the church is diminished. We are isolated, atomized individuals in contemporary society. As people struggle for meaning against this historical backdrop, religious identity will likely play an important role in constructing collective identity.


In the modern era, glamour has been used to cultivate elitism and individualism, defining patterns of inclusion and exclusion. Glamour must be redirected towards community. Rather than glamour being consumed to elevate the individual, La Chiesa del Sacro Fascino harnesses glamour for collective experience. Glamour must be reclaimed by the church to seduce its congregation.



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