February 2012 Archives








"Self-portraits catch your eye. They seem to be doing it deliberately. Walk into any art gallery and they look back to you from the crowded walls as if they had been waiting to see you. The eyes in a million portraits gaze at you too, following you around the room, as the saying goes, but rarely with the same heightened expectation. Come across a self-portrait and there is a frisson of recognition, something like changing upon your own reflection."
I am working on how it will move through the entrance door, the door rearrange the city of the studio in order to match with the perspective of the viewer werever we are standing. Like the eyes on a self-portrait

The project introduces the idea of the self-portrait in architecture as the studio and room of an artist (the studio and the self portrait are the room and the universe). The studio of an artist is a space for the production of the artists work in were the artist display not just the final pieces as in a museum or a gallery but it is in close relationship with its creator and the space in were the object was created. The artist creates its own context in his studio, the studio is the space in where the artist collects and arrages through his work how he sees himself and how he understands himself within the world.
I am not happy with this text but I want to start thinking about what I am going to say....














A Self-Portrait revels more than just physical appearance, it reveals how the artist hopes to be viewed by the world and how it wishes to see itself. It renders the impossible and is conceived as a ruin.
"Every eye has its own camera obscura . The camera Obscura in the technical sense of the term, seems to be contaminated by more ideological, more unconscious connotations, carried simultaneously by the notion of camera/chamber and that of 'obscura'. In ideology, ideas are put under lock and key in a room, cut off from the real material base alone can confer upon them light and truth. The dark chamber 'is a place were light can only enter through a hole an inch in diameter to which one aplies a glass, which letting the rays from external objects pass onto the opposite wall, or onto a curtain held there, allows what is outside to be seen inside."










































