Hi, I couldnt post on your latest add so do it here.... to answer your question: I think the idea of the dialogue is really nice and its interesting to let the actors give depth to the relations/conflicts etc between the styles/elements. Is it your plan to make a scenario/dialogue along all 5 plates? Think it makes the story you want to tell much more dynamic than feeding with information. Like concrete, iron and glass, I can imagine it might be more recognisable to find representatives for each of these styles you describe. They could be simply the architects or even a external figure (like Stalin? Architects talking when Joseph comes in and gives his vision...?) To clarify your way through the scenario I think it helps a lot if you first find the right actors, the main line of the story (competition) with a starting point plate1 and an interesting end plate5? Or the other way around... I hope it makes sense and I understood what your intention is.... Honestly I would only make this kind of scenario if it really frames the bigger story, otherwise it might get confusing... But am impressed with your plates! They look so real that I just see them rolling out of a Soviet archive :) Hope I didn't confuse you too much at this hour of the day... See u tomorrow!
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This page contains a single entry by Adrian Tung published on June 28, 2009 6:05 PM.
Hi, I couldnt post on your latest add so do it here.... to answer your question: I think the idea of the dialogue is really nice and its interesting to let the actors give depth to the relations/conflicts etc between the styles/elements. Is it your plan to make a scenario/dialogue along all 5 plates? Think it makes the story you want to tell much more dynamic than feeding with information. Like concrete, iron and glass, I can imagine it might be more recognisable to find representatives for each of these styles you describe. They could be simply the architects or even a external figure (like Stalin? Architects talking when Joseph comes in and gives his vision...?) To clarify your way through the scenario I think it helps a lot if you first find the right actors, the main line of the story (competition) with a starting point plate1 and an interesting end plate5? Or the other way around... I hope it makes sense and I understood what your intention is.... Honestly I would only make this kind of scenario if it really frames the bigger story, otherwise it might get confusing... But am impressed with your plates! They look so real that I just see them rolling out of a Soviet archive :) Hope I didn't confuse you too much at this hour of the day... See u tomorrow!