October 2007 Archives

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Chapter VI (Mausochapeleums) P1

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As of the year 2000, 1% of the world’s adults owned 40% of all its assets, and as of 2007 there were over 9.5million millionaires on the planet with the number continuing to increase rapidly. We are already in the midst of the creation of a new class of super wealthy individuals. Each town, each city, each region will have, and is getting its share of these new entrepreneurs, these figures who are looked up to by their surrounding communities as examples to be envied, emulated, and revered. Whilst this committee lauds the achievements of our brethren in the clergy with helping these individuals to partake in Christian Philanthropy for the poor, we would also like to bring about a communion of our edificatory message, with the prestige and glamour which makes contemporary man -in all his mundane normalcy- gaze with such awe at the exuberance of these personalities. We believe that this can be brought about by appealing to the instinct -especially strong in men of power- to leave in perpetuity a concrete legacy. The range of options for the contemporary man of great wealth is relatively limited in comparison to the past. The construction of monumental mausoleums is both condemned by us and frowned upon by society, and so the most common outlet for large commemorative gestures is in the form of gifts to cultural institutions of all colours and hues. In combining their wealth with the furtherment of an institution which supposedly culturally uplifts the community, they gain a permanent legacy which is socially acceptable. We propose to allocate proprietary chapels to significant individuals in order that they may commemorate themselves, contribute to the splendour of the church, and aid in the uplifting of its congregation in a socially exciting and acceptable manner. We shall take back the leading figures of our society in both their lives and their deaths. As well as entomb individuals, each of these chapels must also venerate, and explicitly represent the life and death of a saint, the choice of which must be made in consultation with the church fathers, in order that the chapels of any given church together convey an agreed, instructional theme. A fund must be allocated so that the requisite services may be performed annually at the altar of the chapel.

We propose the instatement of Mausochapeleums

recorpistery view1

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Chapter V (HolyAuction) P1

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Relics have always provided a physical and tangible connection with the martyrs and saints of our history. They do not tell stories, but speak more powerfully through the ineffable presence of an object imbued with a part of the holiness of him to whom it had once belonged. All of these items have miraculous powers to a greater or lesser degree, and may often inspire the faithful to such an extent, that they undertake long journeys in pilgrimage to be in the presence of the miraculous artefact. In such places we have long provided the faithful with stalls where they may purchase mementos of their contact with the relics. Such souvenirs are effective up to a point, and our most holy artefacts are indeed powerful ruptures of the past into our present; however there is a need to address the inadequacy of the souvenir -or copy- in a world saturated with copies, and the limited mass appeal of unobtainable objects -no matter how holy- in a world focussed on possession.

Memorabilia, or rather genuine relics of contemporary secular heroes, and the way in which they are so fervently collected, reveals how we may once again create a genuine fervour for both reliquiae and pilgrimage. Memorabilia is so popular because its objects have a tangible connection to the hero in question, they are one-off originals not copies, and they can be possessed by the purchaser, and maintained in veneration within their home. These qualities of possession and singularity inspire intense zeal in collectors, and fill auction houses around the world with devoted pilgrims.

We propose to utilise this union of the strength of both souvenir and artefact, by creating a new order of relic which may be possessed by the faithful. New relics will be gathered from Publimartyrs, Saints, Hermits, Bishops, Abbots, Abbesses and Matrons, using as much ingenuity as the secular world finds in its selling of famous people’s used tooth brushes and old cars. And just as people travel on pilgrimage to participate in the processions of untouchable relics, so let them travel on pilgrimage to participate in the ceremonial auctioning of original -if minor- holy, and therefore miraculous, relics. Money will not be used in bidding, but rather promissory notes for ever-increasing services to the church, community and god; and the relics will remain in possession of the winning bidder only so long as they reside with the living, after which time the item will return into the church’s possession.

We propose the rite of HolyAuction.

first image of Body Bricks

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this is a first trial assembly. They are arranged on a grid so that I can increase their scale by half, or let them go around corners at 90degs. They are all a part of 20by20by20 stone monoliths which lock into each other a la old fashion stereotomy...

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Chapter IV (Publimartyrium) P1

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Man innately searches for proof that he is sufficiently good, that he is acceptable in the eyes of his society, that he doesn’t need to feel inadequate in comparison to anyone else. Today this yearning for, and achievement of, general smugness is structurally embedded within the culture surrounding us. People of no particular distinction except for their willingness to renounce privacy and embrace buffoonery, are brought under the persistent gaze of a public hungry to feel superior. In their buffoonery these poor souls help to assert the normalcy of every individual as relative to the caricatures which they become; and in their absolute exhibitionism they reveal their flawed characters which, in their inevitable, and eagerly anticipated falls from grace, become material for society to affirm its worthy superiority in hearty denunciation. These people -who can be watched by everyone- provide nothing to look up to, their sacrifices offer nothing which elevates the soul but only that which elevates the viewer’s ego.

These pathetic tragedians are the direct opposites of our saints, martyrs and hermits. Their sacrifice and suffering, when conveyed to the community, provided exemplary models of virtue in the face of which any man could not help but feel unworthy. The stories of our martyrs would affirm the incredible potential inherent in every person; they were the material with which society would remind itself that there are those elevated beyond the quotidian.

We wish to re-balance man’s view of himself, to once again offer him examples of human extraordinariness rather than mediocrity. Rather than only tell stories about martyrs who die in distant lands (often many years ago), rather than only speak of hermits who have renounced the pleasures of the world in some unknown desert; rather than just this, let us bring lofty piety into man’s vision, so that he may watch it in real-time, and be as transfixed with sublime sacrifice as he is with pitiful buffoonery. Let us use absolute exhibitionism to reveal strength and flawlessness, rather than greed and stupidity.

We propose the creation of a new order of living martyr, whose life shall be one of public suffering and sacrifice. They will be immolated in the public gaze, and be hereby known as Publimartyrs.

 
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We are -as ever- aware that after the believer’s Recorporation into the Church, they will commit sin again -for that is the nature of man burdened with the imperfection of Original Sin. In order to absolve man of the innumerable misconducts which accumulate in everyday life; in order that he may display his contrition and the church may show its forgiveness, we wish to reassert the importance of the sacrament of Penance and Reconciliation.

It is currently required that an ordained priest must hear, in person, the confessions of each individual. Two reasons have led the committee to propose a new approach to, and requirements for, this sacrament of absolution:

First is a matter of financial and demographic necessity. In our current state, the number of our clergy is at pitiable levels in relation to the population we seek to serve. This has led to local priests being unable to allocate the time needed to hear the daily confessions of each of their parish members.

Second is the rising sentiment in society that absolution can be gained through a generalised sharing of one’s faults. From personal internet diaries to newspaper tell-alls, man has become accustomed to the idea that so long as one confesses to one’s peers and is not denounced, then a kind of penance has been undertaken, and absolution attained.

We seek both to remedy the first point and utilise the potential of the second. The Church strongly recommends and encourages the practice of frequent confession, and to this effect we propose that for the hearing of Venial sins, man be brought together in a group of penitential voices. He will divulge his sins to his immediate brethren in Christ’s community, and following this he will hear the atonements of those to whom he has just confessed. As a final act he will bestow his forgiveness on those who have forgiven him by proclaiming the following: “God the Father of mercies, through the death and resurrection of his Son, has reconciled the world to himself and sent the Holy Spirit among us for the forgiveness of sins; through the ministry of the Church may God give you all pardon and peace, and I absolve you from your sins as you have absolved me, in the name of the Father, and of the Son, and of the Holy Spirit.”

The community will expiate itself in a shared fervour for penance, and will absolve itself in a sea of earnest mutterings. We propose Mutual Confession.

 

Addendum

For the pastoral care of Mortal Sin, as opposed to Venial, we maintain that an ordained priest must personally attend to the individual and hear his confession.

main plan v1

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model 1

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Chapter II (Spectacular Mass) P1

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As a ceremony in which the community should be raised up to a higher power through shared, external symbolic actions, it seems that our mass has a lot of room to further explore how it can unite and elevate. Our liturgical service evolved into a comprehensible and unchanging set of sequential signs. By utilising all the means of communication and engagement (images, texts, songs and repetition) known to man in the past, the imagination and attention of the congregation was captured simultaneously, and the intended conveyance of salvation, and the elevation of the group was achieved.

At the heart of our mass is the great daily miracle of transubstantiation and communion with God; all else is the mere form, and method, for joining together the group in a shared experience, and maintaining their recurrent participation. In this arena the world has evolved away from us. We have resolutely clung to the outward form of our service, while it no longer seizes the imagination of the masses; we have tenaciously maintained the repetitiveness of a ritual designed for men whose everyday lives did not contain spectacle, did not contain anything of the incredible. Now man is surrounded on all sides by spectacular form, his eyes and ears are kept perpetually wondering at the inventive magic of films, bands, videos, shows, adverts, sport; he is swept up in communal fervour as he attends concerts or films where there is no higher aim than to venerate the novelty of sounds or display. Man’s participation is ensured both by coruscating display, but also by the illusion of choice. The sheer variety of event that is available at any given time, the hit-list in which each individual may have his own personal favourite, which he will then choose to go and venerate, this apparent wealth of options serves to hide the fact that it is all only outward form. There is no core meaning, no higher content than the generation of wealth.

We -the Church- are surrounded by cultic and spectacular rituals which manage to engage man, but engage him for no higher purpose. We are surrounded by the lessons of spectacular form and yet continue to fill our churches with a mass that speaks to people who died long ago. Let us separate the essential core of our liturgy from its outmoded form and instead communicate it through the continuous novelty and variety which so captivates today’s audiences. We propose a Liturgical tautology of spectacle; the essential heart, the message of liturgy will remain always the same, only it will be communicated in as many ways as there are bands on MySpace.

We propose Spectacular Mass.

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NEW POPE ELECTED!

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This was his inaugeral speech. Met with bemusement, people are waiting to see just what the Cardinals have done with this radical choice!:

 

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When waking with the sun and then ploughing fields or tending to sheep or sweating in the smithy all day until the sun set was the breadth of man’s horizon;

When the written word was a mystical cypher of which man knew nothing;

When Nature was vast, terrifying, dangerous and inexplicable;

When death wasn’t only an idea -something one knew would happen one day- but was a smell to be avoided in the streets;

When the body was so often a burden of pain to be suffered and from which there was no respite;

When life was such a narrow path of tedium peppered with horror and misery, the Church proclaimed the transcendence of every individual beyond his sores and abscesses; the Church placed man’s life and his death within an inimitable and beautiful plan of salvation beyond the stink of corpses; the Church extracted man from his narrow and incessant toil to celebrate creation and existence, which, rather than being cursed for its hardship, was glorified and illuminated in ceremony and stone. Man was overwhelmed by the intoxicating mixture of liturgy, icon, statue and story; he was convinced through the mysteries of the Church and their representations that life indeed did have meaning, that indeed there was something magical and profound about existence, about life, and also about pain and suffering.

But now that the rising of the sun has little significance, man wakes as he pleases, where he pleases, and knows that during the coming day his horizons may extend to embrace the globe;

Now that knowledge clings to each man as thickly as an odour, as thickly as a smell that emanates from the autopsy table on which lies the dissected, analysed, categorised and preserved remnants of Nature’s mysteries;

Now that death and pain have been marginalised to the periphery of vision, to specially quarantined buildings;

Now that the body is so often a collection of parts to be perfected or changed at will;

Now that magic and representation have haemorrhaged into every corner of the Real, and stand for nothing but distraction;

Now that life is such a vast landscape of endless choice peppered with information, opportunity and answers, the Church must proclaim the transcendence of every individual beyond the boredom of perfection; the Church must place man’s boundless freedom and his unlimited emptiness back within a plan of salvation beyond the cadaver of mystery. The Church must rediscover and reclaim the magic of representation and re-inject it with an amazement of existence. The Church must plunge itself into the contemporary world to find the raw material, the techniques with which it can once again convince man that indeed life does have meaning, that indeed there is something magical and profound about existence: that man’s great plague -the blight of meaninglessness- is no different today than it was when pain and suffering ruled, only now it is impossible to seduce man into belief with only ceremony and stone.

A lot more is needed, man is waiting, and to that effect, on the eve of my election I am announcing the convention of the Third Vatican Council. The Grand Conciglio will no doubt continue to examine our faith in great depth for many years to come, and beyond my time in the pontificate. Taking this into consideration I will be focusing my efforts on the formation of a sub-council which will endeavour to re-engage the laity through a direct, and possibly radical reconstruction of our tangible presence in their lives. In order that the ideas and decisions of this sub-council do not remain as exciting intention imprisoned on paper, in order that from the first steps of this Grand Council we will lead by concrete example, in order that the laity may engage with us while we are proceeding, in order for these things to happen I have set aside a parcel of land in this very city, the heart of our faith, so that it may become the physical register of our will to change.

I hereby convene the Third Vatican Council, convene and chair the First Committee for the Architecture of Ecclesiastical Engagement, and I hereby initiate the founding of the Church of Perpetual Experimentation.

first recorpistery plan

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This is the plan for the Recorpistery which is embedded in the larger plan

The Autonomous Body Part

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Lolo Ferrari, born Eve Valois (March 4, 1962 - March 5, 2000) was a French dancer and actress billed as "the woman with the largest breasts in the world", though their size was artificially achieved.

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Life

Encouraged by her husband, Ferrari underwent numerous plastic surgery operations to create a 180-cm (71-inch) silicone-enhanced bust (22 enlargements, a Guinness world record) and to alter her facial appearance making her resemble a cross between Pamela Anderson and Brigitte Bardot. The Guinness Book of Records says each of her breasts weighed 2.8 kg (6 lb 2 oz) and contained 3 litres of serum. She had to wear a specially engineered brassiere size 54 J, and as a result of her many surgeries she suffered from a number of medical afflictions and lived with a heavy regimen of drugs.

 

Procedures had by Ferrari were said to have included:

6 rhinoplasties

4 surgeries on her mouth

Silicone injections to her forehead

Silicone injections to both cheeks

Silicone injections to the mouth

10–15 breast augmentations (implants)

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Death

On the morning of March 5, 2000, the day following her 38th birthday, Ferrari was found dead at her home in Grasse in the Alpes-Maritimes département on the French Riviera, apparently the victim of a self-induced prescription drug overdose. According to statements made by Eric Vigne, her husband, who had found her body, she had been planning her own funeral, and a few days prior to her death had visited an undertaker and picked out a white coffin, saying she wished to be buried in a pink ballroom gown, with her favourite white teddy-bear.

Shortly before her death, Ferrari is said to have expressed interest in having her implants removed.

Chapter I (Recorpistery)

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At a time when man was ridden with filth in his everyday life, we -the church- brought him into the fold by an act which symbolically tied his accession to Christendom, with a cleansing from his soul of that scourge which he knew most intimately. We conveyed the sacramental mystery of transcendental rebirth, through the literal, relevant, and understandable act of bathing. Dirty Man was reborn with a clean body and a clean soul.

Now -just as when we elevated the initiation of Baptism to the level where it had its own buildings- we are at a point in our own heartland where the majority of people are not truly within the fold. We feel that the sacraments of initiation are no longer properly conveyed by an act which refers to a release from bodily dirt.

Today man’s body itself has shattered. Advertising’s use of the body part -and its imperfection- as a point of departure for purchase, has fragmented the container for our souls into an index of impossible goals. This list of irresolvable inadequacies (as one is perfected, the next in the inventory simply pops up) creates an anxiety that is as ever present, as tangible, and as unpleasant as was the pain and discomfort brought about by filth and disease.

With the express aim of updating the initiatory sacraments, we propose to alter their form so that they may be transformative on a literal, and a spiritual level for contemporary man. Initiates will discard their broken bodies. They will be cleansed of anxiety and be reborn into complete, Christian vessels whose role is as a container for the soul. Fragmented Man will be reborn with a unified body and a contiguous soul.

We propose Recorporation as the evolution of Baptism.

Huysman morsels

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Extracts from 'La Bas'

 

 

computer-game.jpg“But this century does not give a fig for the coming glory of Christ; it adulterates the supernatural and vomits over the other-worldly. How can you have hope in the future under such circumstances? How can you possibly believe that they will be clean and decent, these offspring of our fetid bourgeoisie and the vile times in which we live? Brought up in conditions such as these, what will become of them, what will life make of them?

“They will turn out,” replied Durtal, “just the same as their parents. They will stuff their guts with food and evacuate their souls through their bowels.”

 

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It’s curious isn’t it, man’s affection for the object of his adoration, the mechanic’s love of his engine. These people end up loving the machines they have been in charge of as if they were other human beings. And bells are in a class of their own in this respect. They are baptized, just like people, and anointed, and anointed with a special oil; according to pontifical rubric, they also have to be sanctified, from the inside, by a bishop, who will make the sign of the cross seven times with the oil of infirmity; in that way they may send a message of consolation to the dying which shall sustain them in their final agonies.

Bells act as the Church’s heralds; the voice from without just as the priest is the voice from within; the last things bells are are lumps of bronze, upside-down mortars that get swung about. In addition, bells, like fine wines, mature with age; their tone becomes richer and more mellow; they lose that sharp edge, their raw flavour. Perhaps that begins to explain how one can become so attached to them!

 

 

parametric-urbanism.jpgAs far as he was concerned, prose fiction had now been supplanted by history. The novel in its every aspect vexed him; the over-arching plot structure, portioned out chapter by chapter, neatly packaged up by the gross, how could it be otherwise than dull and conventional? Yet history, too, only seemed a stop-gap in light of the fact that he had little belief in its scientific foundations; events, he told himself, are only a springboard for style and ideas, since all facts could be emphasized or played down depending on the temperament and bias of the historian who assembled them.

As for the primary documents themselves, it was worse still! None was irreducible and all were liable to revision! Even if they were not apocryphal to begin with, other sources, no less valid, could always be advanced which challenged their authenticity, these new documents themselves being subject to dispute as fresh archival evidence emerged, evidence which in turn could be refuted.

Did history itself, given the contemporary predilection for grubbing around in dusty archives, serve any greater purpose than to allow a bunch of amateur annalists to pursue their literary ambitions by constructing Chinese boxes packed with succulent morsels which the institutes could duly reward, salivating as they did so, with medals and diplomas?

For Durtal, history was the most grandiloquent of lies, the most childish deception of all. In his opinion, old Clio (the French Muse of History) should by law be represented with a sphinx’s head, flapping mutton chop whiskers and a padded bonnet. The truth of the matter was that exactitude was an impossibility.

Anti-Martyrs

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Jade Goody and her notorious rise and fall from grace is a great example of the human grist to the great mill of our hunger for feeling superior. Celebrities, or rather anti-celebrities like Jade are blasted into the firmament with other stars for nothing other than having an overdeveloped need to be loved. As that cannot happen in the cold light of gossip mags, they satisfy themselves with simply being talked about and seen, as if that were some kind of affirmation of their worthiness. They will not be loved, they can only be gossiped about, and to be gossiped about they must bear all their intimacies and their very souls to me, jasem, marco and all us hungry public. Not only that but they must open up in a way that parodies and caricatures themselves, they must find a niche for their personality like a product on the shelves of a supermarket. They become marketable personality traits... or body parts. And it can all go well, as Jordan (or rather now the more womanly Katie Price) and Jodie Marsh have shown they can walk the line without falling... but always, periodically we hunger for blood. It used to be politicians who would be devoured by a public baying for moral and personal rectitude, but now we have created figures who seem to exist quite singularily as statues to be toppled for this very purpose. We are bared their histories and characters just so that when they go astray (which they ALWAYS will, even if it is largely fabricated), we may watch them fall spectacularly, and so that we may ourselves feel like better, more upright individuals in our denouncing of others' failures. It is the contemporary incarnation of the Witch-Hunt urge in human nature. Edification and assurance of the moral security of the masses through the ritualised burning of individuals who stop being humans, and become simply representatives of one or more negative traits which, through their burning, are cleansed temporarily from the conscience of the whole group.

 

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Are Z-list celebrities anti-martyrs? Do they symbolically die on the stake in order that we may not face our shortcomings, in order that we may not scrutinize our lives, in order that we may not have anything to look up to as was the case with martyrs, but indeed only have things to look down upon?

 

 

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MOO!

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